stingray cartoon characters

stingray cartoon characters

To supplement the TV episodes, in 1965 APF's sister company Century 21 Records released three audio plays in the form of 7-inch vinyl EP records. There are features that man has never seen and pressures that are almost impossible to withstand. [81] Paul Cornell, Martin Day and Keith Topping, authors of The Guinness Book of Classic British TV, view the effects as more "realistic" than those of earlier Anderson series.

[14], The linking material from the feature presentation was re-discovered in late 2000 or early 2001 and subsequently included on Stingray DVD releases. Set in the 2060s, the series follows the exploits of the World Aquanaut Security Patrol (WASP), an organisation responsible for policing the Earth's oceans.

Production on this episode was halted when APF received permission to proceed with "Aquanaut of the Year". Among these is the undersea city of Titanica, ruled by King Titan.

[52][53], Ocean surface shots in Supercar and Fireball XL5 had been filmed in an outdoor tank, but for Stingray several tanks were built inside the studio. Club suggests that compared to villains of earlier Anderson series, Titan and the Aquaphibians serve as a "more classically Cold War-style villainous Other". [62] One of the effects shots in the series' opening titles shows Stingray and a pursuing Mechanical Fish leaping out of the ocean and then plunging back under water; although this required complex manoeuvring of the wired scale models that made the shot extremely difficult to film, in the end the effects crew succeeded on the first take.

[6][7][8] The underwater sequences were filmed "dry" by shooting the sets through thin aquaria, while surface shots were filmed on water tanks incorporating lowered back walls to create artificial horizons. They answer to the "hoverchair"-bound Commander Sam Shore, whose daughter, Lieutenant Atlanta Shore, works in the Marineville control tower and is enamoured of Troy.

Agent X-2-Zero creates false underwater soundings in an attempt to mislead Phones and have him dismissed from duty. [48] It was lowered and raised by hydraulics. Vector image "Cartoon Stingray Character" can be used for personal and commercial purposes according to the conditions of the purchased Royalty-free license. [87] Erickson also writes that the love triangle between Atlanta, Troy and Marina (which Blair describes as an "unusual development" for a children's series) creates a "mild sexist tension". Sources give the year as 2064 (Archer and Hearn, p. 88; Bentley 2001, p. 12) or 2065 (Sellers, p. 88).

Each of the Stingray films consists of re-edited versions of four of the original episodes. Depositphotos, Inc. USA. [67], In the UK, Stingray was first broadcast on 4 October 1964 in the Anglia, Border, Grampian, London and Southern regions. [85] Nicholas J. Cull views the mute Marina as an example of a female Anderson character who is "subordinate" to men, while Erickson argues that Atlanta's role as an assistant makes her a gender stereotype. [2][54] Food was dropped at various points around the tanks to keep the animals in shot. [2][24] The new studios, built inside a converted factory unit, contained three 40-by-45-foot (12 m × 14 m) shooting stages:[24] two for puppet filming and one for creating special effects.

Agent X-2-Zero poses as a teacher for mute people in another plot to destroy Marineville, leaving Marina in mortal danger.

[2] The total cost of the production was approximately £1 million[3][25] (£21 million in 2019). [84], Some commentators have been critical of the puppetry and effects.

Troy and Phones board Stingray from the Marineville stand-by lounge by sitting on twin seats that are then lowered into the submarine via injector tubes. "[30] Models were controlled using wires, poles and underwater tracks and rigs. [74], Writing in 2006, Robert Sellers described Stingray as the "first truly classic Anderson show", whose special effects "have stood the test of time remarkably well. Unsere Mitarbeiter begrüßen Sie als Interessierten Leser auf unserem Testportal.

[85], Cull observes that in its depiction of the WASP, Stingray is one of several Gerry Anderson series that "assume the development of world government and world security institutions" and "reflect the 1960s vogue for stories set in secret organisations with extravagant acronyms." [35][44] The look of the Aquaphibians was based on an alien creature that had appeared in the Fireball XL5 episode "XL5 to H2O". The WASP brings in an eccentric professor to develop a super missile capable of neutralising an indestructible enemy submarine. While searching for the submerged temple of Tajmanon in Africa, Troy and Phones encounter an old enemy.

Agent X-2-Zero plots to bomb a jazz group's performance at Pacifica, the undersea city ruled by Marina's father. [52] A disc with various portions cut out was placed in front of an overhead lamp and rotated to give the impression of light being refracted through the ocean, while the water in the aquaria was disturbed to create "rippling" effects. [18] The second film, Invaders from the Deep, was broadcast as the first episode of movie-mocking TV comedy series Mystery Science Theater 3000 in 1988. [2] First shown in black and white, it was broadcast in colour for the first time in December 1969. The episode "Eastern Eclipse" is set 12 months after "Star of the East" (Bentley 2008, p. 92). [23] Anderson named the new series "Stingray" partly from a belief that stingrays are dangerous animals (in reality, they are docile), but also because it "seemed an exciting title. Premise. "[20] He was inspired by childhood memories of U-boats in the Second World War, as well as by the mysteries of the ocean: "I was ... fascinated by trenches in the ocean that are as deep as mountains are high. Troy gives a young boy a tour of Marineville. Vector image "Cartoon Stingray Character" can be used for personal and commercial purposes according to the conditions of the purchased Royalty-free license. The series has drawn a largely positive response from commentators, some of whom have compared its premise to the Cold War. [2][10] Each episode required an average of 11 days of puppet filming and five-and-a-half days of effects filming. Troy and Phones rescue an unconscious man who wakes up and uses a mysterious device to hypnotise everyone in Marineville. An undersea being kidnaps a World Navy admiral and his wife. A despot, Titan commands the Aquaphibians, a warrior race who possess a fleet of lethal submersibles called "Mechanical Fish". "[82] Sangster and Condon describe the episodes as "mercifully shorter" than those of Thunderbirds, creating "tighter plotting and an engaging simplicity".

This is accompanied by dramatic narration from Commander Shore, who warns the audience to "Stand by for action!" Stingray Fahrrad - Der Favorit .

[56][57] To make the water look blue, the crew first tried experimenting with various lighting effects; these proved inadequate, so the water was dyed blue instead. [71] Premiering in colour, it was syndicated across more than 100 markets with sales exceeding £3 million. "[75] Daniel O'Brien, author of SF:UK: How British Science Fiction Changed the World, considers it to be "perhaps the archetypal Gerry Anderson series". [2][15] It premiered on Channel Television, ATV Midlands and Westward Television on 6 October and Granada Television on 30 December. Stingray was the first Supermarionation series whose puppet characters had interchangeable heads showing a range of facial expressions. He notes that this limitation forces a large amount of movement to be kept off-screen: "Almost every capture by Aquaphibians ellipses difficult-to-film interaction, skipping straight to static talking scenes instead. The WASP is based in the self-contained city of Marineville, located several miles inland somewhere on the West Coast of North America. Stingray's adventures bring it into contact with various underwater civilisations, some friendly and others hostile, as well as strange natural phenomena. The opening credits refer to the colour process as "Videcolor". Three disused freighters mysteriously disappear shortly before they are due to self-destruct. "[83], Sangster and Condon argue that, while Stingray is mainly for children, it was also the first Anderson series to have adult appeal.

[66], The series' closing titles focus on the love triangle between Troy, Marina and Atlanta. [91] They are included as special features on the UK Stingray DVD box set. [Note 2] In the first episode, Stingray is attacked by Titan's forces and Troy and Phones are captured. He also describes it as "inherently a matinee adventure, an inspiring rush of mild peril and jaunty escapades".

Atlanta and Commander Shore discover a letter from Marina that reveals how she and the rest of her people came to be mute. [23] It was repeated on ITV in 1981[68] and on BBC2 in the early 1990s. Stingray cartoon, part of the collection of marine life — Vector by BalakoboZ. [19], In late 1962, as production on Fireball XL5 drew to a close, Gerry Anderson decided that an underwater series was the next logical step for production company AP Films (APF): "We had been on land and in space, so where could we go next? He also praises its "well-drawn" characters and describes the water-based special effects as "surprisingly elegant". Stingray, a nuclear-powered combat submarine, is the flagship of the World Aquanaut Security Patrol (WASP), a branch of the World Security Patrol (WSP) responsible for policing the Earth's oceans in the mid-2060s. [29][49] In a 1980 interview, Derek Meddings, the series' special effects director, described the process as "designing the shot carefully [...] then shoot[ing] it at very high speed (to make movement slower and therefore seemingly vaster) and hope you didn't get huge globules of water that would give the game away. [2][27][50] Vegetable dye was added to the aquarium to make the water more noticeable. Newman argues that through its use of "silver- and green-skinned" undersea villains and the "odd caricatured Arab baddie", Stingray, like Thunderbirds, conveys "square, almost 1950s" attitudes towards race. Filmed at a cost of approximately £1 million,[3] Stingray was the first British TV series to be made entirely in colour,[4][5] a move intended to increase its appeal to the lucrative American market.

"[8] Anthony Clark of the British Film Institute calls the sequence "a mini-adventure in itself ... Children's TV had never before been this exciting. [14][15][16] Several years later, BBC Wales and Granada International condensed the feature presentation to create a new Stingray clip show episode.

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